When Manolito Galea (aka Lito) set out to build his dream studio, he was thinking years ahead. Fast forward to today, Lito’s Place has officially become Malta’s first Dolby […]

    “ORIA is at the heart of my studio. It’s on for some 20 hours a day and works flawlessly,” declares musician, composer, recording and mix engineer Bert Smorenburg. […]

    Composer & music editor, Stephen Gallagher installed an ORIA in his studio last year, just in time to complete the score for the new anime feature, The Lord […]

  Edinburgh College has opened a new Dolby Atmos audio production studio, choosing the Audient ORIA immersive audio interface and monitor controller as a key part of the new 7.1.4 […]

  Award-winning composer and producer for film, television & games, Hilgrove Kenrick has recently installed ORIA in his new Oxfordshire studio. He was already working in 5.1 with his Steinberg […]

  “ORIA just makes my life easier overall,” says multi award-winning audio engineer, Daniel Abrusci. Specialising in sound design, recording and mixing for TV & film, Dan has worked with […]

  The ASP4816-HE compact console has been chosen for JMC Academy in Melbourne, the final of the three antipodean JMC education facilities to upgrade to the Audient mixing desk.   […]

  Music producer and film composer, Hendrik Nölle is a staunch Audient audio interface fan, co-writing and producing the soundtrack for the recent German Netflix hit movie, Blood & Gold […]

  A second Audient mixing console has just been installed at the Women’s Audio Mission (WAM) facility in downtown San Francisco. “Our facility has four recording spaces and upgrading the […]

Josh Molen used his ASP880 8-channel mic pre and iD22 USB audio interface to help record and mix C.H.A.D., his first album recorded under the moniker, Your Sister Is A […]