“It feels so transparent in my workflow. Once it’s calibrated I can forget about it – it just works,” says Grégory Betton of his new ORIA immersive audio interface […]

  Multi-platinum Grammy award-winning engineer and producer Dyre Gormsen has installed ORIA, the immersive audio interface and monitor controller into his new ‘experimental space’ in a radar station in Devon. […]

  “I always trust that the recording will come out clear through the ASP880,” says audio engineer & producer, Max Smith when describing what he loves about the 8-channel mic […]

  Edinburgh College has opened a new Dolby Atmos audio production studio, choosing the Audient ORIA immersive audio interface and monitor controller as a key part of the new 7.1.4 […]

  Award-winning composer and producer for film, television & games, Hilgrove Kenrick has recently installed ORIA in his new Oxfordshire studio. He was already working in 5.1 with his Steinberg […]

    Simon Ratcliffe is a sound engineer based in South Africa who specialises in immersive audio. He is also the MD of the multi-national Sound & Motion Studios which […]

  “ORIA just makes my life easier overall,” says multi award-winning audio engineer, Daniel Abrusci. Specialising in sound design, recording and mixing for TV & film, Dan has worked with […]

  “It is ORIA’s rollout in our Dolby Atmos studio that really changed the way that we can interact with our clients,” says Jack Freegard, managing director of London’s iconic […]

  Creative director, marketer & lifelong musician, Rob Lynn has upgraded to an Audient iD44 audio interface for his LA studio, where he creates content for his own marketing services […]

  Since Dolby Atmos mixing & mastering studio, Present Day Production installed Audient ORIA in their Essex studio, they haven’t looked back. The arrival of ORIA immersive audio interface and […]