Audient Integral to Recording Live Orchestras In Caribbean

11th June 2018

Audient Integral to Recording Live Orchestras In Caribbean

Posted on Posted in Blog

“It doesn’t make any sense to have great mics or a powerful computer if you have a poor interface with sub-standard preamps and A/D converters. Every part of the signal path has to be pristine,” says Kevin Sones of Earsightmusic, who swears by his iD22 from Audient. “This is why I trust iD22 to be at the centre of my system.”

 

“Every part of the signal path has to be pristine”

 

Kevin utilises the iD22’s ADAT expandability to his advantage, by connecting it to his 8-channel mic preamp from Audient, ASP880 and giving him access to up to ten inputs. Together the two Audient units are integral to his work recording live bands and orchestras around the islands of the Caribbean, including Dominant Seventh, the National Steel Symphony Orchestra of Trinidad & Tobago as well as the National Philharmonic Orchestra of Trinidad & Tobago.

 

National Steel Symphony Orchestra of Trinidad & Tobago

 

Kevin has been delivering training courses for Earsightmusic as a part of their installation and equipment sales packages. In 2017 Earsightmusic launched its Live Sound Engineer Training Workshop Series in the Caribbean region delivering theoretical knowledge as well as hands-on experience in live sound engineering.

 

Dominant Seventh Calypso Jazz Band

 

One of the modules Live Sound Recording, specifically focuses on multitrack as well as stereo recording principles and techniques. “To accomplish this, we set up a full sound system with ancillary equipment for the participants to interact with. This includes playback and recording devices such as the iD22 which we set up as part of the system,” he explains.

 

“…what speaks to me is the actual quality of the end product, i.e. my mix. That quality is indisputable and sets Audient products apart from many others.”

 

iD22 setup at ESM workshop in Trinidad

The second level of the Live Sound Engineer Training series kicked off at the end of March and will be travelling to five Caribbean countries until late May, following great success with the initial ‘Headroom – Live Sound Engineer Training (Level 1)’ course debuted in January last year. “Both workshops will be introduced in five additional countries this year,” adds Kevin.

 

“High quality sound is the main thing that separates me and my work from other engineers,” he continues, insisting on using his iD22 in the training sessions as well as his recordings. “It gives me the unquestionable quality I can rely on. Many companies do a good ‘on paper’ presentation of their product, but what speaks to me is the actual quality of the end product, i.e. my mix. That quality is indisputable and sets Audient products apart from many others.”

 

With a full list of workshop dates available on the Earsightmusic website, and a number of recording assignments already in the diary after this set of courses, Kevin is keeping very busy.

 

Audient wishes him all the best!

 

Dominant Seventh Calypso Jazz Band

 

This post is also available in: French Spanish German Korean Italian