Audient has recently discovered that super high-end manufacturer Vanguard Audio Labs uses EVO 8 to help design, repair and test their microphones.     These are no ordinary mics. […]

    As part of Nike’s annual Air Max Day celebrations this year, METHOD x MADNESS studio in Johannesburg hosted a pop-up Dolby Atmos listening experience featuring a 7.1.4 monitor […]

  The Atmos studio at the Escuela de Música Contemporánea (EMC) has recently integrated Audient ORIA and EVO SP8 into its setup. It was sound and mastering engineer Fernando Richard […]

  Looking for an “easy and stable solution” when kitting out the brand new Dolby Atmos rooms at Coventry University last year, Music & Audio Production course director Benoit Granier […]

  Ace, lead guitarist and songwriter of UK rock band Skunk Anansie recently got himself an Audient iD24 audio interface, replacing his well-loved ten-year-old iD22. “I actually had no desire […]

  Audient announces the launch of iD48, the 8 channel 24in / 32 out USB-C audio interface, previewing at this year’s NAMM show.     iD48: the ultimate Audient interface […]

  Casa Frida Estudio, one of the most prestigious music facilities in Argentina, has upgraded its main control room to Dolby Atmos specifications and installed ORIA the immersive audio interface […]

  Multi-platinum Grammy award-winning engineer and producer Dyre Gormsen has installed ORIA, the immersive audio interface and monitor controller into his new ‘experimental space’ in a radar station in Devon. […]

  Producer, songwriter and mixing engineer PinPin has recently upgraded his Evening Moon Studio to 7.1.4 Dolby Atmos, installing ORIA, the immersive audio interface and monitor controller by Audient as […]

  “It feels so transparent in my workflow. Once it’s calibrated I can forget about it – it just works,” says Grégory Betton of his new ORIA immersive audio interface […]