Les Fauteuils Rouges: ASP4816 Analogue Charm Meets Modern Workflow
There’s a classic ASP4816 console in les fauteuils rouges, a cosy recording studio in the south of France where owner Julien Lebart loves to record acoustic, jazz and pop […]
There’s a classic ASP4816 console in les fauteuils rouges, a cosy recording studio in the south of France where owner Julien Lebart loves to record acoustic, jazz and pop […]
An Audient ASP8024-HE console has recently been installed at the Universidad Profesional Dr. Carlos J. Borrero Ríos (UP University) in Puerto Rico in the brand new, on-site recording lab. […]
Producer, songwriter and mixing engineer PinPin has recently upgraded his Evening Moon Studio to 7.1.4 Dolby Atmos, installing ORIA, the immersive audio interface and monitor controller by Audient as […]
“I always trust that the recording will come out clear through the ASP880,” says audio engineer & producer, Max Smith when describing what he loves about the 8-channel mic […]
Florin High School recently introduced its Audio & Music Production (AMP) Academy, which is headed up by John Cronin. Specifying an Audient ASP8024-HE to be at the heart of […]
Simon Ratcliffe is a sound engineer based in South Africa who specialises in immersive audio. He is also the MD of the multi-national Sound & Motion Studios which […]
“It is ORIA’s rollout in our Dolby Atmos studio that really changed the way that we can interact with our clients,” says Jack Freegard, managing director of London’s iconic […]
Creative director, marketer & lifelong musician, Rob Lynn has upgraded to an Audient iD44 audio interface for his LA studio, where he creates content for his own marketing services […]
Since Dolby Atmos mixing & mastering studio, Present Day Production installed Audient ORIA in their Essex studio, they haven’t looked back. The arrival of ORIA immersive audio interface and […]
For multi-platinum producer Max Oude Weernink, installing ORIA in his Haarlem studio has finally brought immersive audio within his reach. “ORIA is great for me in so […]