Jenny Brennan has worked her way through a few audio interfaces over the years. Using EVO 8 however has stopped her in her tracks. “Losing sight later in life, […]

    Audient invited engineers and producers from the online audio community Control Room to come to Tileyard Kings Cross this summer, on the pretext of showcasing the EVO Expanded […]

  Music producer and film composer, Hendrik Nölle is a staunch Audient audio interface fan, co-writing and producing the soundtrack for the recent German Netflix hit movie, Blood & Gold […]

  Freelance music producer and Audient interface owner, Tomi Fröberg also works as the production assistant for Joensuu City Orchestra in eastern Finland. He counts producing podcasts, doing live streams, […]

  Describing the recent installation of an Audient console as a “significant upgrade” to Cobra Sound studio, audio engineer, Martin Čema is thoroughly satisfied with his investment. “The studio has […]

  “It’s safe to say we’ve stepped things up a gear with Los Dedos,” said audio engineer Ben Capp (pictured below), after a successful session with the band in a Welsh […]

    Quite possibly the first Audient console to be entombed in an old bank vault, the compact ASP4816 is now at the heart of brand new Vault Recording Studio […]

  Producer/engineer, musician and co-owner of London’s The Bookhouse Studio, Tom Hill picked up an EVO 16 recently. When he told us he’d taken it and his ASP800 8-channel mic […]

  Harnessing the power of music to engage traditionally hard to reach young people who have fallen out of formal education is what SupaJam is about. As well as opening […]

  British audio specialist Audient introduces the new 10in / 14out audio interface, iD24. Designed to make your recordings better, it slots neatly between the iD14 and the more recently […]