“ORIA is at the heart of my studio. It’s on for some 20 hours a day and works flawlessly,” declares musician, composer, recording and mix engineer Bert Smorenburg. […]

    As part of Nike’s annual Air Max Day celebrations this year, METHOD x MADNESS studio in Johannesburg hosted a pop-up Dolby Atmos listening experience featuring a 7.1.4 monitor […]

    Audient announces ORIA Control V1.2 software, a major update expanding the remote control options of the award-winning immersive audio interface and monitor controller. New and existing ORIA customers […]

  The Atmos studio at the Escuela de Música Contemporánea (EMC) has recently integrated Audient ORIA and EVO SP8 into its setup. It was sound and mastering engineer Fernando Richard […]

  Looking for an “easy and stable solution” when kitting out the brand new Dolby Atmos rooms at Coventry University last year, Music & Audio Production course director Benoit Granier […]

    Composer & music editor, Stephen Gallagher installed an ORIA in his studio last year, just in time to complete the score for the new anime feature, The Lord […]

    Forty years after qualifying as a Sound Engineer, Greg von Menge is finally doing what he always wanted: working on music and recording with his recently refurbished, second-hand […]

  Audient was delighted to co-sponsor The Shadowmaker, a new show from Simon Shackleton which recently premiered at Denver’s Holiday Theatre – to a standing ovation. Created by the award-winning […]

  For top-tier music production and recording in London, artists need look no further than Runway Recording Studios according to its owners. It’s a creative hub offering a choice of […]

  There’s a classic ASP4816 console in les fauteuils rouges, a cosy recording studio in the south of France where owner Julien Lebart loves to record acoustic, jazz and pop […]