Oregon State University Grows Studio Around Audient Heritage
An Audient ASP8024 Heritage Edition console has been installed in a new studio at Oregon State University (OSU) which will be the hub of a new 4-year Music Tech & […]
An Audient ASP8024 Heritage Edition console has been installed in a new studio at Oregon State University (OSU) which will be the hub of a new 4-year Music Tech & […]
Born and bred Londoner, Sam Johnson followed his heart to New Zealand last year, upping sticks and taking his studio setup and over 20 years’ experience in the music […]
Audient’s 8-channel mic preamp ASP800 has recently been added to Michael Erdmann’s private studio, Exclusive Sound Suite, a leading production studio for equestrian dressage freestyle music. Today, many […]
Musician, engineer and producer, Oliver Kenny chose a 36-channel ASP8024 Heritage Edition desk to be the centrepiece for an unusually styled studio he has built in a deconsecrated church. Hands-on […]
Co-owners of Cedar Studios, Tom Puttick and Phil French (pictured below) – with the help of their Audient ASP880 eight channel mic pre – were responsible for the sound design […]
As some studio doors close, others open and this is very literally the case with Morsecode Studios, where, thanks to a connection with legendary producer Trevor Horn, the actual doors […]
A large format ASP8024 Heritage Edition console is the centrepiece of the brand new, purpose built Rosewood Studios which opened this week. Supplemented by a full rack of top end […]
Blur guitarist and solo artist Graham Coxon treasures his home studio, a reasonably sized space flooded with light located at the top of his north London home. “It was going […]
James LoMenzo is a self-professed ‘journeyman’ bass player best known in the heavy metal arena for playing with Megadeth, Ozzy Osbourne, White Lion, Slash’s Snakepit and Zakk Wylde among others. […]
“It doesn’t make any sense to have great mics or a powerful computer if you have a poor interface with sub-standard preamps and A/D converters. Every part of the signal […]