Université de Montréal Invests in Analogue with Audient
The ASP8024 at Université de Montréal is in use seven hours per day on average, so the analogue mixing console from Audient installed just a few months ago certainly has […]
The ASP8024 at Université de Montréal is in use seven hours per day on average, so the analogue mixing console from Audient installed just a few months ago certainly has […]
Producer, electronic musician and iD22 owner, Paul van der Walt lives in Johannesburg, goes by the alias of Watermark High and released his eponymous, debut album back in June of […]
Kingston University’s Visconti Studio has installed an Audient ASP8024 Heritage Edition, just in time for the 2017 Winter School led by MPG and Grammy-Award Winning Tony Visconti himself, which takes […]
The largest collection of Audient iD14s in one education facility is hard at work at Middlesbrough College, where 54 of of the USB audio interfaces are a split across three […]
Stefan Sobolak is very much enjoying his new ASP8024 Heritage Edition, which now sits at the centre of his Viennese studio, Eastendrecords and also happens to be the first Audient […]
Music composer and voiceover artist, Joe Wakeford recently upgraded his audio interface to the Audient iD22 and Audient was keen to find out how it was working out. “I love […]
It took Chris da Graça just a few years to build up JavaJam studio, which today he describes proudly as “…a well-run, popular professional music recording studio and theatre space.” […]
Cape Town club owner, Ebenhaezer Smal gets his kicks as a music producer and DJ, making tight, high-energy dance music under the aliases HAEZER & Embassy. He’s made his name […]
If you look closely, you’ll see one of each of Audient’s 8-channel mic premps ASP800 and ASP880 on YouTube videos from Jam With Friends, a weekly music session recorded live, […]
Freelance recording and concert engineer, Gavin Tempany has bought himself a couple of Audient USB audio interfaces, iD22 and iD4. The latter – and smaller, more portable of the two […]