“ORIA is at the heart of my studio. It’s on for some 20 hours a day and works flawlessly,” declares musician, composer, recording and mix engineer Bert Smorenburg. […]

    Forty years after qualifying as a Sound Engineer, Greg von Menge is finally doing what he always wanted: working on music and recording with his recently refurbished, second-hand […]

  Ace, lead guitarist and songwriter of UK rock band Skunk Anansie recently got himself an Audient iD24 audio interface, replacing his well-loved ten-year-old iD22. “I actually had no desire […]

  Casa Frida Estudio, one of the most prestigious music facilities in Argentina, has upgraded its main control room to Dolby Atmos specifications and installed ORIA the immersive audio interface […]

  “I always trust that the recording will come out clear through the ASP880,” says audio engineer & producer, Max Smith when describing what he loves about the 8-channel mic […]

  Florin High School recently introduced its Audio & Music Production (AMP) Academy, which is headed up by John Cronin. Specifying an Audient ASP8024-HE to be at the heart of […]

    Simon Ratcliffe is a sound engineer based in South Africa who specialises in immersive audio. He is also the MD of the multi-national Sound & Motion Studios which […]

  “It is ORIA’s rollout in our Dolby Atmos studio that really changed the way that we can interact with our clients,” says Jack Freegard, managing director of London’s iconic […]

  Since Dolby Atmos mixing & mastering studio, Present Day Production installed Audient ORIA in their Essex studio, they haven’t looked back. The arrival of ORIA immersive audio interface and […]

  For multi-platinum producer Max Oude Weernink, installing ORIA in his Haarlem studio has finally brought immersive audio within his reach.     “ORIA is great for me in so […]